Comments for SoulinProcess

Comment on Settling In by suzanne mosley

suzanne mosley — Mon, 10 Aug 2009 03:17:27 +0000

loved reading your update today!! glad that you guys are settling in well & bodies are getting adjusted to the new time zone. ohhhhhhhhhhh, you’re eating ALL of my FAVORITE indian foods–masala dosa, naan….umm! my preggo stomach is living vicariously through you @ this moment!!

please update again soon! can’t wait to hear more!

Comment on Our world is changing by Brent

Brent — Thu, 06 Aug 2009 08:43:47 +0000

Harry, great stuff. praying for you and Andrea on your trip today. looking forward to seeing updates as you post. it’s a wild ride but He is good. “and from his fullness we have all received, grace upon grace.” John 1:16

Comment on Working out by Lorie

Lorie — Mon, 11 May 2009 21:45:23 +0000

We usually go to the Y in the mornings. It’s definitely all SAHM & senior social hour.

Comment on The Concert story by Jay Smith

Jay Smith — Thu, 21 Aug 2008 04:56:03 +0000

Thanks for sharing about the concert Harry. Peter Stroud is the main guitar guy,and the musical director of the band. He has been with Sheryl for a long time, and is a great guitarist. We both really enjoyed watching him perform while seeing the “Wildflower” tour at the Ryman a few January’s ago.

I don’t like “Detours” near as much as “Wildflower” overall, but there are a few tunes off of it I really like, though not lyrically. In general, her new record is one big rant about Bush and the state of our Union, and artists using politics as a public soapbox annoys me when done this in your face ticked-off kind of way. I am a big fan of hers musically—she is one of my faves, but I am tired of hearing songs about her views on the war and politics.

Comment on The Concert story by Harry

Harry — Mon, 18 Aug 2008 01:14:27 +0000

Kristi – the blonde guitarist is still with her. Actually, I think he’s been with her for years, as he’s on the Globe Sessions live DVD.

The band was nice and tight – two electric players, a second acoustic player, keys, perc, drums, bass. Couple of groovin’ backup singers that totally outshone her on the encore of Stevie Wonder’s “Higher Love”.

She opened the show with a solo version of “God Bless this Mess” in front of a scrim with a graffiti’d gobo of a peace sign. Seemed like it was half and half stuff from her last two albums and old favs. I haven’t heard anything since C’Mon, C’Mon, so I didn’t know the new stuff at all, and honestly, it didn’t have the good tight hooks of her older stuff. More about diatribe, less about good pop. The sound was so overloud and overcompressed that the mix was really distracting.

I think the highlight was the fashionly-bald 40-year-old doing some sort of Cabbage Patch/WhiteBoyOverbite -on-speed during, um, something. While seated. Wish I could have taken a video.